Thursday, August 20, 2015


Obviously what is burning up in the movie theaters recently as we head for the final days of the summer is the movie "Straight Otta Compton". The movie, though filtered or not,  is a biography of the trials and tribulations of the band N.W.A from their beginnings, to there feuding and breakups, until the band member Easy E's death. Recurring themes in the movie include depictions of police brutality of inner city black youth that culminated in the Rodney King beatings and LA riots in 1992. Thus, in the early nineties, at a time when the band lost its member Ice Cube and eventually disbanded with the other members finding successful solo careers, their music became prophetic and middle America was seeing the realities of the inner city on their television sets. The brutal honest reporting that the members of the band reasoned for the music's controversial lyrics and glorification of gangster life was now becoming the most honest form of reality TV. But what the band also helped make happen in the early nineties was not just America's realization of the realities of the inner cities, but pop cultures obsession with it. Among the plethora of rap songs portraying and romanticizing life in the "hood" at that time, there also box office movies (ie. "Boys In The Hood" and "Menace To Society"), cultural trends, and fashion fads that dominated the American conscience at that time. The subgenre of gangsta rap that the group help develop will be seen as more than just a seminal moment in music history but their legacy may be credited with helping to bring a social struggle to consciousness in the annals of American history.

Saturday, August 1, 2015


Lollapalooza started in 1991 when Perry Farrell conceived of the idea as a farewell tour of his band Jane's Addiction. This became a touring festival in the United States and Canada from 1991- 1997. The original lineup included a diverse range of artists but the following years featured mainly grunge bands due to the musics rising popularity. In addition to the music performances, there was also non-musical features and displays such as virtual reality games, art booths, and information tables for environmental and political groups promoting counter culture. 
Critics soon, however, pointed out the corporate encroachment on the concert and the heavy ticket prices, as well as having mainstream acts. Later, in the decade,  the popularity of the venue fizzled as alternative rock's popularity died down. In 1998, the festival was cancelled. 
In 2003, Farrell relaunched the Lollapalooza tour with his reunited band. However, this festival achieved only marginal success and was cancelled the following year. In 2005, Farrell in collaboration with Capital Sports and Entertainment launched it as a two day destination festival in Chicago, Illinois. This was successful and the current format is going strong today, in fact, the festival is going on this weekend in Chicago.